Choice Thoughts on Hellboy 2

Although comparison of this film with The Dark Knight is entirely expected given the chronological closeness of the two and their places within the comic book genre, I don’t think the comparison really serves either film with any fairness.

The Dark Knight has been garnished with praise beyond belief and no doubt it is an outstanding film. But it’s by no means the be all and end all of comic book movies. It’s a beautifully-created mess of a film that is very good but exhausting given the bleak worldview, relentless thematic ideas and huge performance of Heath Ledger. It leaves a space for a film like Hellboy 2 to fill, a comic book movie that eschews the engagement with real crime and overtly political issues that The Dark Knight hits and rather provides a phantasmagorical fantasy story-book world in which an audience can exist fall.

Guillermo Del Toro’s previous film prior to Hellboy 2, Pan’s Labyrinth, is among the finest pieces of work created on this side of the millennium. One of its key charms is the imagination that he manages to bring to the piece, specifically to the set design and the monsters he creates as part of the fantasy world of the lead character. Although I would argue that perhaps Hellboy 2 goes one monster too far in its array of fantastical beasts, eventually becoming an veritable conveyor belt from Del Toro’s mind, the sheer wealth of design ideas here and the consistent ability to avoid getting bogged down with overarching themes and plot gives this film a lightness on its feet that makes it both charming and hugely enjoyable to watch. Maybe it’s somewhat hollow but I think to start walking into every comic movie post-The Dark Knight expecting to watch a coruscating deconstruction of superheroes and relentless ‘dark’ storytelling is both dangerous and unwarranted. Surely there is no one who really wants to see constantly dark comic book movies because at some point, there becomes a need for entertainment to burst through and for movies to make sure they understand their place as escapism. I loved The Dark Knight, but I don’t want to go into a Hellboy film an be engaged on issues of national security, surveillance and domestic terrorism.

Hellboy 2 is fun, funny and breezy, never taking itself too seriously and providing a great slice of entertaining escapist cinema with set design and imagination to rival anything around.

Read Cassam at Screenjabber’s thoughts on the film here.

Most Anticipated Summer Movies

With so many films planned, I bet you’re all wondering what I’m most looking forward to at Electricity and Lust and well, I’m going to tell you. So here’s the five films I’m most anticipating across June, July and August along with some honorable mentions. (UK release dates)

Jo-Link

The AV Club holds it’s third annual film poll.

We love Ellen Page here and indeed, it seems The Guardian has also fallen pray to her cheeky charms.

I also love rotund Spanish genius Guillermo Del Toro and he has been linked to yet more projects.

Now I know you’re all sat there wondering, ‘what will Slate writers be reading this winter?’ Well folks, by clicking on the highlighted portion of this very sentence, you can instantly find out.

PopMatters also picks out some books, this time the finest they experienced throughout the previous twelve month period we oh so love to know as a year.

Microsoft has bid $44.6bn for Yahoo. Which seems like quite a lot doesn’t it? Isn’t Yahoo rubbish now? Hmm…

Entertainment Weekly selects a few choice action movie one liners. To be honest, it’s a little rubbish because not once is Arnie noted for his Commando, Running Man or Batman and Robin work. Poor show EW, poor show.

To background this, Jimmy Kimmel had a running joke on his show about inviting on Matt Damon and then running out of time. Probably the funniest gags ever done involving that fat lump of idiocy. Until now, although this doesn’t really involve him. This one is all about Sarah Silverman, Matt Damon and coming clean. Enjoy.

Here’s a very good list of the twenty meanest love songs. Despite this, REM’s ‘One I Love’ used to be among the most played songs at weddings despite being an exploration of love as a throwaway commodity. People are great.

M Ward discusses his working with doe-eyed indie siren Zooey Deschanel on a very anticipated album for E&L.

Newsweek is calling for finality to come to the Oscars. I agree, it’s time to put that golden fool down once and for all.

Cracked.com theorises on what might get nominated for the Oscars next year if the strike fails to be resolved. A couple of them sound great.

Lupe, Lil Wayne, MadLib; all good practitioners in the hip hop game. Better though, Bill Cosby.

The Washington Post adds its name to the list of publications which loved 4 Months, 3 Weeks and 2 Days.

Barack versus Hillary played out calmly with no blows truly landed. The International Herald Tribune discusses.

Here’s a clip of Les Savy Fav playing ‘Patty Lee’ on Conan. They rule.

Josh Hartnett in a martial arts movie, you say? Tell me more.

Milk, Gus Van Sant’s new movie about Harvey Milk, is looking very cool and CHUD has some pics of Emile Hirsch sporting a wig for his role.

Marc Jacobs, Betty’s fashion Jesus, played out an homage to himself in NY last night.

Deerhunter and the Black Lips have had their respective frontmen unite to deliver collaborative tuneage.